Okay, so now you're curious and think this post will be
about sex, right? Well, I yanked your
chain. You can hate me later. But you should check out this weird medical
factoid: Humans can grow what for all
intents and purposes are horns! Weird,
ugly, creepy, and generally an indicator of cancer or a tumor, these things
have been documented throughout history.
You've likely seen something about the Tree Man; the
Discovery Channel had a show on him a few weeks ago, poor guy. The Body Odd article sparked in me the
instant thought Wow that would have been horrible back in the Dark Ages! Because they'd see the growths and say you
were a devil at worst, a witch at best.
Then you'd make a close acquaintance with the auto de fay or a burning
stake.
Just picture a scenario for your novel like that. Your character has some natural medical
oddity and it marks them as a witch.
We're all familiar with the third nipple, which is fairly common;
something really creepy/odd like horns would be bad.
It's not a new trope, but physical malformity has been a
traditional mark of the devil. You can
use that and the underlying human nature to speak out against such
discrimination; or you can appropriate the trope and tweak it, make it say
something different.
In Benighted/Bareback, the non-lunes' lives are dictated by
their birth defects (see my review of the book.) And this concept, while also not new, gives
the author a means of speaking about humanity and human experience from the
perspective of being different.
How much of what we perceive is different because of the
perceptual filters of our personal experience?
There's been a lot of talk since the racefail debacle about embedded
prejudice, and yet no one digs into the nature of humankind and how all
perception is related to this 'flaw'--which actually has a valid basis in
survival back in the prehistoric day.
So, to get off this looping tangent and back to the main
point, how do you take the trope of a deformity marking someone as evil or a demon/devil
and turn it on its head?
A couple of options are obvious. First, you can make such a thing a marker of
good, say horns make you a servant of Good, an Angel, a Hero. You could even take all the symbols of
Christian or other religions/mythologies for evil and make them good. Second, you could take the horns or whatever
and instead of having them indicate good or bad, you have them opaque in
meaning! This is different because you
can have characters who find meaning in these things (good or bad) while the
culture as a whole doesn't notice them.
The notice/not notice issue can be a ploy, say the transparency is
brainwashing, or it's a sign of egalitarianism at a fundamental level; and the
character who notices the deformity (or whatever) doesn't get this, finds it
difficult to adjust because s/he is an outsider.
I can envision a number of other uses, but those two strike
me as the most in line with my own writing style. Ah well.
Enough blather about not much.
Happy writing to you!
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